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The Only One Who Never Pretends

The Only One Who Never Pretends

How much time do you spend trying to decide whether someone is sincere with you? And how much simpler would the world be if, every now and then, we all stopped performing? Perhaps all it takes is watching a boy play with his dog to remember that affection can still exist without calculation, poses, or an ulterior motive.

The world is full of people ready to tear each other apart for far less than an honest look.

Keyboard bullies. Anger searching for any excuse to get out.

People who mistake cruelty for strength, because genuine kindness is more frightening than a fist.

Then there is a boy throwing a stick across a field, and a dog bringing it back every time as though it were the first.

There is no calculation in that scene. No advantage, no performance.

The dog is not pretending to be happy for the photograph. He does not temper his excitement to look interesting.

He runs, leaps, throws his whole weight against the boy’s legs—and if he misses the jump, he feels no shame. He simply starts again.

It may be the only relationship left in which no one is playing a part.

With his dog, the boy has nothing to prove. He does not have to be strong enough, interesting enough, enough of anything.

He only has to be there—and for the dog, that is already everything.

Perhaps that is why watching them hits so hard.

In a world that rewards whoever bites first, they have chosen—or perhaps never needed to choose—loyalty.

Behind the lens, I am always waiting for the same moment: the one when the mask falls.

Usually, when it does, I find exhaustion. Or anger. Or pain being kept on a leash.

Not here. Here, when the mask falls, underneath is only a boy laughing the way he did when he was eight.

Nothing else is needed.

The world can keep biting itself.

Thankfully, these two have not learned how.

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What Remains of an Unplanned Day

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